SO MANY ENDS OF THE WORLD | 2009
So Many Ends of the World is a stereoscopic animation with stereo algorithmic sound designed for the C-Wall, a passive/active stereoscopic projection system. In So Many Ends of the World, the viewer repeatedly encounters the form of an oblate spheroid; it is a planet, a star, a wandering orb. [details]
RED IN TOOTH AND CLAW | 2009
This animation is a 2d video representation of Red in Tooth and Claw, a digital hologram. The hologram was created using Autodesk Maya to model and animate 1280 frames which are then embedded in a diffraction grating within a small thickness of holographic film using red, green, and blue pulsed-lasers. [details]
INSTRUMENTS OF MATERIAL POETRY | 2009
This project was commissioned by Shawn Brixey to recreate his piece "Instruments of Material Poetry" through computer graphics and animation in Autodesk Maya. [details]
THE FAR DARK SHORE | 2008
The Far Dark Shore is a stereoscopic video with composited stereoscopic computer graphics. Created with Maya 3d modeling/animation software and a high-definition (HD) stereoscopic camera apparatus, this piece is the product of a year long cycle of research that has been focused on the implications of digital media (such as film and computer animation) attaining the power and relief of sculpture. [details]
SOLVE ET COAGULA | 2007
Solve Et Coagula (Separate and Join Together) is a proposed interactive installation that uses abstract 3d projection to interpret genetic traits as alchemical archetypes. [details]
SILENT ACCOMPLICE | 2007
Silent Accomplice is an audio, video and dance piece that was created through a three-stage collaborative cycle. The audio component is an abstract war landscape that was created in both Supercollider and Common Music programming environments [details]
SUBLIMATION | 2007
Sublimation is an audio composition created in Supercollider and Common Music programming environments. Primarily, this piece is a study of three synthesis techniques: granular synthesis, subtractive synthesis and frequency modulation. [details]
JANUS | 2006
This piece is a 3d lenticular print with the basic concept of portraying the Roman god Janus, who had two faces pointing in opposite directions. Janus was created using a multi-step process consisting of 24 interlaced frames offset at different increments generating a lenticular image. This image is then attached to a lenticular lens. [details]
ORB OF THE VALLEY | 2006
Orb of the Valley is a lighting, materials and texture study created with Autodesk Maya. A luminous orb is suspended in an abstract valley. Various lighting, texture and material strategies are employed to generate different modes from a single motif. [details]
LAKME | 2006
Lakme is a thought experiment in which a recursive, hypothetical landscape was created with Autodesk Maya. [details]
LURK | 2006
LURK is an audio/visual installation. The audio was spatialized using a MAX/MSP patch that combines three space coordinates and a frequency to synthesize accurate binaural signals from a monaural source to generate HRTF (Head-related transfer function) sound object localization. [details]